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The principle thing is not the creation of imaginary beings or worlds but the discovery of the mysterious relationship between man and his circumstances. Magical realism is, more than anything else, an attitude toward reality that can be expressed in popular or cultured forms, in elaborate or rustic styles in closed or open structures¼.In magical realism the writer confronts reality and tries to untangle it, to discover what is mysterious in things, in life, in human acts. Once the reader accepts the fait accompli, the rest follows with logical precision (Angel Flores, Magical Realism in Spanish American Fiction. Time exists in a kind of timeless fluidity and the unreal happens as part of reality.
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In magical realism we find the transformation of the common and the everyday into the awesome and the unreal. (Alejo Carpentier, The Baroque and the Marvelous Real. Here the strange is commonplace and always was commonplace. The marvelous real that I defend and that is our own marvelous real is encountered in its raw state, latent and omnipresent, in all that is Latin American. Now then if surrealism pursued the marvelous, one would have to say that it very rarely looked for it in reality. In fact, what Franz Roh calls magical realism is simply Expressionist painting. The term magical realism was coined around 1924 or 1925 by a German art critic named Franz Roh what he called magical realism was simply painting where real forms are combined in a way that does not conform to daily reality. If we stop to take a look, what difference can there possibly be between Surrealism and the marvelous real? This is very easily explained. (Alejo Carpentier, On the Marvelous Real in America. To begin with, the phenomenon of the marvelous presupposes faith. Lo real maravilloso americano-The marvelous begins to be unmistakably marvelous when it arises from an unexpected alteration of reality (the miracle), from a privileged revelation of reality an unaccustomed insight that is singularly favored by the unexpected richness of reality or an amplification of the scale and categories of reality perceived with particular intensity by virtue of an exaltation of the spirit that leads it to a kind of extreme state. (Franz Roh, Magic Realism: Post-Expressionism (1925). For the new art it is a question of representing before our eyes, in an intuitive way, the fact, the interior figure, of the exterior world.
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This calm admiration of the magic of being, of the discovery that things already have their own faces, means that the ground in which the most diverse ideas in the world can take root has been reconquered-albeit in new ways.
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It employs various techniques that endow all things with a deeper meaning and reveal mysteries that always threaten the secure tranquility of simple and ingenuous things. This new world of objects is still alien to the current idea of Realism. We are offered a new style that is thoroughly of this world, that celebrates the mundane. Magical Realism-We recognize the world, although now-not only because we have emerged from a dream-we look on it with new eyes. Some various definitions of magical realism